‘B+’ For ‘Eclipse Soundtrack From Entertainment Weekly
At this point, even the most entrenched haters of Twilight‘s vampire-sparkle voodoo concede the soundtracks’ indie-rock bona fides — though they might wish the music came shrouded in a plain brown wrapper.
Like last October’s New Moon collection, Eclipse operates as a sort of alt-party primer: original songs from the genre’s current varsity squad, with a smattering of JV newbies. Pomp-rockers Muse, practically the movies’ musical mascots by now, provide the requisite dose of Queen-meets-Rush grandiosity on ”Neutron Star Collision (Love Is Forever),” while Jack White side project the Dead Weather revel in swampy blooze-ooze on ”Rolling in on a Burning Tire.” Vampire Weekend, stripped of their habitual Afro-pop swaddling, work the harpsichord-tinged twee of ”Jonathan Low” into a pleasingly woolly tangle, though Australian chanteuse Sia’s ”My Love” does more with much less — her fragile ballad is so ethereal and otherworldly, it should be sung in Elvish. U.K. indie-pop outfit Fanfarlo’s rickety ”Atlas” sounds like Talking Heads on a dirt-road detour; Beck and British songstress Bat for Lashes trade haunting echo-chamber vocals on the percussion-heavy duet ”Let’s Get Lost”; and on the heady ”Heavy in Your Arms,” Florence + the Machine make like Siouxsie Sioux leading a tribal marching band into battle. L.A. unknowns Eastern Conference Champions co-opt Radiohead’s dense existential dread, Band of Horses conjure up another beardy folk ramble, and this summer’s palest citizens get a pretty solid ready-made mixtape. B+